Fritz Lang Final Scene Analysis - 897 Words

The Serial Killer and the Criminals In the final scene of the 1931 crime drama, M (dir. Fritz Lang), the child serial killer Hans Beckert (Peter Lorre) is finally captured and put on trial by the criminal network of the city. Finally surrounded and forced to deal with his crimes, this scene slowly shows Bekert’s unraveling as he loses all sense of control, submitting to the crowd of criminals surrounding him. By using elements of mise en scà ¨ne such as setting, blocking, and acting style, the scene shows both Berket’s continual rise and fall of hope compared to the determination and absolute control of the criminals. The scene is based in the underground of an abandoned factory, Bekert pushed down the stairs into a decaying and dark†¦show more content†¦Bekert begins to lose himself again, panic filling his face, but is brought back by judges and is forced to turn around again, this time revealing a picture of each of his victim. The reverse shots of Bekert and the picture show ranging expressions of panic, first jumping back, second taking a fist to his mouth in shock, and third running for the door. The movement of Bekert causes a reaction from the crowd and guards, who force him back down the stairs in a chaotic struggle. By allowing the rise and fall of Bekert’s emotions from calm, to shock, to complete panic, a pattern is established for the remainder of the scene and supports the control the criminals have over Bekert’s fate. Degradingly, Bekert is thrown to the ground onto a pile of wood, shown in a high angle shot as the crowd yells at him. The crowd is silenced by the judges, the lead judge voice overlaying a tracking medium shot of all the other panel members as he explains their relation to the wall. This shot reveals the history and stoic personalities of the people Bekert is now up against, revealing how he will not be able to persuade them of his innocence and how they will not accept any fate for him besides death. Bekert attempts to yell back at them, but is silenced again by an offscreen handShow MoreRelatedSimilarities Between Utopia And Dystopia1672 Words   |  7 PagesFilms may also incorporate a subliminal message to the reader through background music used in different scenes. Displaying utopian and dystopian societies through film leaves some imagination to the audience while allowing them to visually compare with the real world around them. For the purpose of exploring aspects of utopia and dystopia through films, I have chosen the films Metropolis by Fritz Lang (1927) and the episode Nosedive from the television show Black Mirror (2016). The film Metropolis showsRead MoreMovie Analysis: M vs. Bicycle Thieves Essay1399 Words   |  6 PagesAnalysis of M and Bicycle Thieves One thing that both movies, M and Bicycle Thieves, share collectively is the open ending; both movies make audiences interpret their own perception or ending of the movies. Also, both movies contain a sense of tragedy in the final scenes; in the movie M, I felt somewhat sympathetic toward the mentally ill killer even though I knew he was the serial killer and might be pretending to get away. The feeling of sympathy toward the serial killer in the presence of hisRead MoreA Trip At The Moon And Lang s M1691 Words   |  7 Pagesplot and did not take itself too seriously. From the very first scene (or â€Å"tableaux† as was Mà ©lià ¨s’ preferred term) it becomes obvious that the movie is not a documentary. The supposed scientists look more like medieval wizards with their pointy hats and robes gazing through an oversized telescope. The plan with which they will attempt to travel to the moon is very unscientific and naive. But as Tom Gunning states in his film analysis in 1986: ‘We must keep in mind that Mà ©lià ¨s was not offering anRead More Destry Rides Again, Mr Smith Goes to Washington, and the Fall of the Hollywood Studio System3533 Words   |  15 Pagesfilm productions, particularly evident in the production of Mr. Smith Goes To Washington, was a notable indicator of the studios’ impending loss of power (Schatz 407). These and other independent and freelance artists (such as Alfred Hitchcock and Fritz Lang) began to turn the tide against the studios until the artists gained money through use of the studios almost equally to the studios which gained money through the employed artists. The balance of power was thus tipped in favor of the individualRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesPhenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III Syntagmatic Analysis of the Image Track Chapter 6. Outline of the Autonomous Segments in Jacques Rozier s film Adieu Philippine, 149 Chapter 7. Syntagmatic Study of Jacques Rozier s Film Adieu Philippine, 177 vii viii CONTENTS IV The Modern Cinema: Some TheoreticalRead MoreThe Studio System Essay14396 Words   |  58 Pagestheaters which needed up to 300 pics per annum. The little three filled this gap. Columbia and Universal mainly made B-pics for the low end of the market. UA was purely a distrib. for a small group of elite independent producer. Analysis of the Hollywood Studio System During the 1920s, and 1930s the Hollywood film studios undertook a major evolutionary period. The inception of the Hollywood ‘studio system’ was to change the film making process radically. The following Read MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pagesproduction specialists, editorial personnel, and marketing and sales staff. More than one hundred instructors reviewed parts or all of Organizational Behavior, Fifteenth Edition. Their comments, compliments, and suggestions have significantly improved the final product. The authors wish to thank John D. Kammeyer-Mueller of the University of Florida for help with several key aspects of this revision. The authors would also like to extend their sincerest thanks to the following instructors: Lee Boam, UniversityRead MoreOrganisational Theory230255 Words   |  922 Pagestheory focuses attention on the human issues in organization ‘There is nothing so practical as a good theory’ How Roethlisberger developed a ‘practical’ organization theory Column 1: The core contributing social sciences Column 2: The techniques for analysis Column 3: The neo-modernist perspective Column 4: Contributions to business and management Four combinations of science, scientific technique and the neo-modernist approach reach different parts of the organization Level 1: Developing the organization